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Clint Eastwood's legendary "Man With No Name" makes his powerful debut in this thrilling, action-packed "new breed of western" (Motion Picture Herald) from the acclaimed director of The Good, the Bad and the Ugly and For a Few Dollars More. Exploding with blistering shootouts, dynamic performances and atmospheric cinematography, it's an undisputed classic of the genre. A mysterious gunman (Eastwood) has just arrived in San Miguel, a grim, dusty border town where two rival bands of smugglers are terrorizing the impoverished citizens. A master of the "quick-draw,"the stranger soon receives offers of employment from each gang. But his loyalty cannot be bought; he accepts both jobs...and sets in motion a plan to destroy both groups of criminals, pitting one against the other in a series of brilliantly orchestrated setups, showdowns and deadly confrontations.
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A Fistful of Dollars launched the spaghetti Western and catapulted Clint Eastwood to stardom. Based on Akira Kurosawa's 1961 samurai picture Yojimbo, it scored a resounding success (in Italy in 1964 and the U.S. in 1967), as did its sequels, For a Few Dollars More and The Good, the Bad and the Ugly. The advertising campaign promoted Eastwood's character--laconic, amoral, dangerous--as the Man with No Name (though in the film he's clearly referred to as Joe), and audiences loved the movie's refreshing new take on the Western genre. Gone are the pieties about making the streets safe for women and children. Instead it's every man for himself. Striking, too, was a new emphasis on violence, with stylized, almost balletic gunfights and baroque touches such as Eastwood's armored breastplate. The Dollars films had a marked influence on the Hollywood Western--for example, Sam Peckinpah's The Wild Bunch--but their most enduring legacy is Clint Eastwood himself. --Edward Buscombe

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Description: Viggo Mortensen leads an all-star cast in this swashbuckling period drama - the story of Diego Alatriste, a former soldier and mercenary who becomes a hero of Spain's 17th century Imperial wars. The most expensive Spanish-language film ever made based on the wildly popular novel series by Arturo Pérez Reverte. 17th century imperial Spain under the reign of Philip IV, a weak and easily manipulated monarch dominated by a corrupt and intrigue-ridden court, the head of which is the influential Count-Duke Olivares. Intrigue and betrayal, duels and battles, love and hatred set the stage for the adventures of Captain Alatriste. In His Majesty's service, a proud soldier in Flanders and in times of peace, a hired sword in Madrid and Seville. He wasn't the most virtuous of men, nor the most devout, but he was a man of valour. His name was Diego Alatriste! Alatriste is in love with the beautiful María de Castro, the most famous actress of her time. Compelled to fulfil the final wish of his dying friend, Alatriste makes his way back to Spain to care for the man's young son Iñigo. Alatriste attempts to safeguard Iñigo both from a military career and from the Machiavellian woman he loves, the sweet and disturbing Angelica Alquézar. SINOPSIS: En la España Imperial del siglo XVII, Diego Alatriste, valeroso soldado al servicio de su majestad, combate en las frías tierras de Flandes. En la España del siglo XVII, el capitán Diego Alatriste combate en la fría región de Flandes en una emboscada de los Holandeses. Cuando su amigo Balboa cae herido de muerte Alatriste le promete cuidar a su hijo, Iñigo. Un mercenario y Alatriste son contratados para darle fin a dos extranjeros misteriosos. En el ultimo momento, presiente que algo anda mal y decide no cumplir el encargo para llegar al fondo del asunto pero encontrara a un una red de conspiracion y a un enemigo demasiado poderoso para su espada.

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Depicts the early career of Fanny Brice, her rise to stardom with the Ziegfield Follies and her stormy romance with Nick Arnstein.
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Ah, Barbra. Of all her onscreen personas, she sparkles in none as she does in her role as 1930s comedian Fanny Brice in the musical Funny Girl. Portraying the life of this star of stage and radio, Brice preens and prances and sings, captivating her audience both onscreen and off. Fanny Brice started life on the Lower East Side of New York, the daughter of a Jewish saloon owner. Not the prettiest girl around, Brice still managed to quickly rise to stardom as a performer in the Ziegfield Follies. A shrewd, obstinate woman, Brice dictated her own success story on stage; things were a different matter in romance. Falling hard for the stunning Nick Arnstein (suavely played by Omar Sharif), Brice must navigate a difficult marriage. While kids may love the tunes (which include the now-infamous "People," as in "People who need people are the luckiest people in the world"), the plot is definitely adult-oriented. Enjoy this one, but don't go too far out of your way for the sequel, Funny Lady. --Jenny Brown

Description:
RABBIT-PROOF Fence -- featuring the Golden Globe-nominated score by Peter Gabriel -– is a powerful true story of hope and survival and has been met with international acclaim! At a time when it was Australian government policy to train aboriginal children as domestic workers and integrate them into white society, young Molly Craig decides to lead her little sister and cousin in a daring escape from their internment camp. Molly and the girls, part of what would become known as Australia's "Stolen Generations," must then elude the authorities on a dangerous 1,500-mile adventure along the rabbit-proof fence that bisects the continent and will lead them home. As shown by this outstanding motion picture, their universally touching plight and unparalleled courage are a beautiful testament to the undying strength of the human spirit!
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Based on a true story, Rabbit-Proof Fence moves with dignified grace from its joyful opening scenes to a conclusion that's moving beyond words. The title refers to a 1,500-mile fence separating outback desert from the farmlands of Western Australia. It is here, in 1931, that three aboriginal girls are separated from their mothers and transported to a distant training school, where they are prepared for assimilation into white society by a racist government policy. Gracie, Daisy, and Molly belong to Australia's "stolen generations," and this riveting film (based on the book by Molly's daughter, Doris Pilkington Garimara) follows their escape and tenacious journey homeward, while a stubborn policy enforcer (Kenneth Branagh) demands their recapture. Director Phillip Noyce chronicles their ordeal with gentle compassion, guiding his untrained, aboriginal child actors with a keen eye for meaningful expressions. Their performances evoke powerful emotions (subtly enhanced by Peter Gabriel's excellent score), illuminating a shameful chapter of Australian history while conveying our universal need for a true and proper home. --Jeff Shannon

Description:
Comedy favorite Hugh Grant (BRIDGET JONES'S DIARY) stars as a young man who offends an entire town by declaring their mountain -- a prized landmark -- to be a "hill." But soon he finds the eccentric locals, led by a witty innkeeper (Colm Meaney -- STAR TREK: THE NEXT GENERATION) will stop at nothing to defend their honor! While the townspeople rally around their "mountain," a fiery young woman (Tara Fitzgerald -- SIRENS) charms the puzzled out-of-towner into seeing things their way! You'll be elevated by laughter as the hilarious townspeople rise to the occasion -- and the bewildered visitor stumbles into love when he least expects it!

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The critical and popular success of the Lonesome Dove miniseries just about ensured a sequel or three. The first spinoff, Return to Lonesome Dove, was rushed out without author Larry McMurtry's input, but Streets of Laredo, which McMurtry scripted from his own novel, returns us firmly to his brutal West. Legendary Texas Ranger Captain Woodrow Call (James Garner, who steps into the boots left by Tommy Lee Jones with comfortable assurance and understated courage) has turned bounty hunter, and he heads off on the bloody trail of vicious Mexican gunman Joey Garza (Alexis Cruz), a sadistic, angry south-of-the-border rebel without a cause. Lonesome Dove echoes through the story: Call's former trail hand Pea Eye Parker (Sam Shepard) is enlisted in his posse and Parker's wife, Lorena (Sissy Spacek in the role Diane Lane created in the original and the desert-worn soul of this story), follows in their wake with news that the psychopathic renegade Mox Mox (Kevin Conway), who once held her captive, is alive and back on the warpath.

McMurtry's Old West is not a pleasant place, and Streets of Laredo is not for the faint of heart. It's a lawless, racist, brutal world where might may not make right, but it certainly holds sway in isolated desert towns and lonely trails. Yet for all the tragedy and violence, McMurtry finds hope in the love and respect that breaks down racial barriers, holds families together, and creates new ones. --Sean Axmaker

Description:
Few bands are more closely associated with Montreux than Deep Purple and there was simply no other contender when it came to choosing the act to headline the closing night of the 40th Montreux Festival in 2006. The band duly delivered one of their finest live performances, sprinkling songs from their latest album "Rapture Of The Deep" through a set chock full of their classic tracks. There was even a brand new song "Too Much Fun" written especially for the occasion and, of course, a show-stopping performance of "Smoke On The Water".

A companion CD with highlights from this show is being simultaneously released.

Tracklisting: Disc One - Live At Montreux 2006 : 1) Pictures Of Home 2) Things I Never Said 3) Strange Kind of Woman 4) Rapture Of The Deep 5) Wrong Man 6) The Well - Dressed Guitar 7) Kiss Tomorrow Goodbye 8) When A Blind Man Cries 9) Lazy 10) Keyboard Solo 11) Space Truckin' 12) Highway Star 13) Smoke On The Water 14) Hush 15) Too Much Fun 16) Black Night Disc Two - London Hard Rock: 1) Fireball 2) I Got Your Number 3) Strange Kind Of Woman 4) Kiss Tomorrow Goodbye 5) Rapture Of The Deep 6) Wrong Man 7) Lazy 8) Perfect Strangers 9) Highway Star 10) Smoke On The Water
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Almost 40 years after the band's original formation, Deep Purple is in fine form in They All Came Down to Montreux. The band's history is intimately connected with the legendary Montreux Jazz Festival (which also includes rock music), so it was only fitting that DP was invited to headline the closing night of the festival's 40th anniversary on July 15, 2006. On disc 1 of this two-disc set, DP's 100-minute Montreux gig is included in its entirety, and even those who prefer the band's earlier "Mark II" lineup (which included previous keyboardist John Lord and guitarist Ritchie Blackmore) will agree that this band can still rock your socks off. By the time keyboardist Don Airey launches a playfully jazzy prologue to the band's biggest hit "Smoke on the Water" (a song inspired by a spectacular fire that occurred while the band was preparing to record Machine Head in Montreux in 1971), DP has the packed Montreux in an arm-waving state of hard-rock bliss.

While it's obvious that lead singer Ian Gillan's voice is not what it used to be (he's obviously struggling with the high notes in "Highway Star"), he still makes it through the set with his vocal cords intact, and he's got stellar support from Airey, bassist Roger Glover, drummer Ian Paice, and guitarist Steve Morse (the latter joined DP in 1994), all delivering the kind of ace musicianship that can only come from years of diligent touring. Morse is especially strong in this concert, while Glover and Paice achieve a flawless symmetry of rhythm. And while this is essentially a "greatest hits" gig, the performance of tracks from DP's 2005 release Rapture of the Deep suggests that this band could be going strong for years to come, if fans don't mind the occasional misstep and a stage full of aging rockers with expanding waistlines. As a bonus feature, 25 minutes of band interviews are also included. Disc 2 features an hour-long gig from London's Hard Rock Café, recorded earlier in 2006. With the exception of two tracks ("I Got Your Number" and "Fireball"), it's a shorter version of the Montreux set-list, more intimate in its club setting, but equally indicative of Deep Purple's impressive longevity. --Jeff Shannon