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Product Description:
The highly acclaimed director of Finding Nemo and the creative storytellers behind Cars and Ratatouille transport you to a galaxy not so far away for a new cosmic comedy adventure about a determined robot named Wall-E.
After hundreds of lonely years of doing what he was built for, the curious and lovable Wall-E discovers a new purpose in life when he meets a sleek search robot named Eve. Join them and a hilarious cast of characters on a fantastic journey across the universe. Transport yourself to a fascinating new world with Disney-Pixar's latest adventure, now even more astonishing on DVD and loaded with bonus features, including the exclusive animated short film Burn-E. Wall-E is a film your family will want to enjoy over and over again.

1. Burn-E Hilarious, All-New Animated Short Bringing Light To The Galaxy Eventual-E, 2. BnL Shorts An Amusing Peek Into The Inner Workings Of The Buy n Large Corporation, 3. Lots Of Bots Storybook This Imaginative Storybook Comes To Life Loaded With Fun Games, 4. Making Of Featurettes, 5. Bot Files Get To Know Wall-E's Robot Friends, 6. DisneyFile Digital Copy Watch Your DVD In The Living Room And Your DisneyFile Digital Copy On The Go, 7. Presto Amazing Animated Theatrical Short Film, 8. Deleted Scenes, 9. Sneak Peek Wall-E's Tour Of The Universe Wall-E Takes You On A Real Ride Through Space, 10. Animation Sound Design: Building Worlds From The Sound Up Legendary Sound Designer Ben Burtt Shares Secrets Of Creating The Sounds Of WALL-E, 11. Audio Commentary With Director Andrew Stanton, 12. The Pixar Story By Leslie Iwerks An Award-Winning Filmmaker Tells The Riveting Story Of The Innovative Company That Revolutionized Hollywood, 13. Additional Deleted Scenes, 14. Wall-E's Treasures And Trinkets Hilarious Moments
Amazon.com:
Pixar genius reigns in this funny romantic comedy, which stars a robot who says absolutely nothing for a full 25 minutes yet somehow completely transfixes and endears himself to the audience within the first few minutes of the film. As the last robot left on earth, Wall-E (voiced by Ben Burtt) is one small robot--with a big, big heart--who holds the future of earth and mankind squarely in the palm of his metal hand. He's outlasted all the "Waste Allocation Load Lifter Earth-Class" robots that were assigned some 700 years ago to clean up the environmental mess that man made of earth while man vacationed aboard the luxury spaceship Axiom. Wall-E has dutifully gone about his job compacting trash, the extreme solitude broken only by his pet cockroach, but he's developed some oddly human habits and ideas. When the Axiom sends its regularly scheduled robotic EVE probe (Elissa Knight) to earth, Wall-E is instantly smitten and proceeds to try to impress EVE with his collection of human memorabilia. EVE's directive compels her to bring Wall-E's newly collected plant sprout to the captain of the Axiom and Wall-E follows in hot pursuit. Suddenly, the human world is turned upside down and the Captain (Jeff Garlin) joins forces with Wall-E and a cast of other misfit robots to lead the now lethargic people back home to earth. Wall-E is a great family film with the most impressive aspect being the depth of emotion conveyed by a simple robot--a machine typically considered devoid of emotion, but made so absolutely touching by the magic of Pixar animation. Also well-worth admiring are the sweeping views from space, the creative yet disturbing vision of what strange luxuries a future space vacation might offer, and the innovative use of trash in a future cityscape. Underneath the slapstick comedy and touching love story is a poignant message about the folly of human greed and its potential effects on earth and the entire human race. Wall-E is preceded in theaters by the comical short Presto in which a magician's rabbit, unfed one too many times takes his revenge against the egotistical magician. (Ages 3 and older) --Tami Horiuchi>

Stills from Wall-E (Click for larger image)

Description:
*Seasons 1-7 on each disc

Bonus Disc: **Introduction by Joss Whedon **Back to the Hellmouth: A Conversation with Creators and Cast **Breaking Barriers: It's Not a Chick Fight Thing **Love Bites: Relationships in the Buffyverse **Evil Fiends **Buffy: An Unlikely Role Model **Buffy Cast and Crew: Favorite Episodes
Amazon.com:
From its charming and angst-ridden first season to the darker, apocalyptic final one, Buffy the Vampire Slayer succeeds on many levels, and in a fresher and more authentic way than the shows that came before or after it. How lucky, then, that with the release of its boxed set of seasons 1-7, you can have the estimable pleasure of watching a near-decade of Buffy in any order you choose. (And we have some ideas about how that should be done.)

First: rest assured that there's no shame in coming to Buffy late, even if you initially turned your nose up at the winsome Sarah Michelle Gellar kicking the hell out of vampires (in Buffy-lingo, vamps), demons, and other evil-doers. Perhaps you did so because, well, it looked sort of science-fiction-like with all that monster latex. Start with season 3 and see that Buffy offers something for everyone, and the sooner you succumb to it, the quicker you'll appreciate how textured and riveting a drama it is.

Why season 3? Because it offers you a winning cast of characters who have fallen from innocence: their hearts have been broken, their egos trampled in typically vicious high-school style, and as a result, they've begun to realize how fallible they are. As much as they try, there are always more monsters, or a bigger evil. Despite this, or perhaps because of it, the core crew remains something of a unit--there's the smart girl, Willow (Alyson Hannigan) who dreams of saving the day by downloading the plans to City Hall's sewer tunnels and mapping a route to safety. There are the ne'r do wells--the vampire Spike (James Marsters), who both clashes with and aspires to love Buffy; the tortured and torturing Angel (David Boreanz); the pretty, popular girl with an empty heart (Charisma Carpenter); and the teenage everyman, Xander (Nicholas Brendon).

Then there's Buffy herself, who in the course of seven seasons morphs from a sarcastic teenager in a minidress to a heroine whose tragic flaw is an abiding desire to be a "normal" girl. On a lesser note, with the boxed set you can watch the fashion transformation of Buffy from mall rat to Prada-wearing, kickboxing diva with enviable highlights. (There was the unfortunate bob of season 2, but it's a forgivable lapse.) At least the storyline merits the transformations: every time Buffy has to end a relationship she cuts her hair, shedding both the pain and her vulnerability.

In addition to the well-wrought teenage emotional landscape, Buffy deftly takes on more universal themes--power, politics, death, morality--as the series matures in seasons 4-6. And apart from a few missteps that haven't aged particularly well ("I Robot" in season 1 comes to mind), most episodes feel as harrowing and as richly drawn as they did at first viewing. That's about as much as you can ask for any form of entertainment: that it offer an escape from the viewer's workaday world and entry into one in which the heroine (ideally one with leather pants) overcomes demons far more troubling than one's own. --Megan Halverson

Description:
This unassuming case is packed with 16 tons of funny: 14 discs of MONTY PYTHON’S FLYING CIRCUS, packed with every episode from the programme’s four year run, plus 2 MONTY PYTHON LIVE! discs featuring--well, you figure it out. While to the uninitiated they may look like ordinary .65 oz. digital video discs, due to the unique physics of comedy (it’s like quantum but with fewer dead cats), each disc actually weighs a full metaphoric ton! Please remember to lift with your knees. This 16-Ton Megaset contains every single episode of MONTY PYTHONG’S FLYING CIRCUS--four years of blood, sweat and blancmange--jammed into slivers of plastic the size of a tea plate and MONTY PYTHON LIVE!--Legendary live performances, the 20-year celebration of Monty Python Parrot Sketch Not Included, and the all-German Monty Python’s Fligender Zirkus episode #1 squashed like pancakes. Sad, really. Jump right to your favorite sketches in The Flying Circus with this index! Disc 1: The Funniest Joke in the World, The Wrestling Episode, and Nudge Nudge, Disc 2: Art Critic, Silly Job Interview, and Crunchy Frog, Disc 3: Dead Parrot, Lumberjack Song, and Vocational Guidance Counselor, Disc 4: Undertaker’s Film, Upperclass Twit of the Year, and Albatross, Disc 5: The Ministry of Silly Walks, The Spanish Inquisition, and Complaints, Disc 6: The Bishop, Blackmail, and Dung, Disc 7: Attila the Nun, Silly Vicar, and Exploding Penquin on the TV Set, Disc 8: Scott of the Antarctic, Dirty Hungarian Phrase-book, and Exploding Blue Danube, Disc 9: Icelandic Saga, Fish-Slapping Dance, and Argument Clinic, Disc 10: ‘Blood, Devastation, War, and Horror’, Mount Everest - Hairdresser Expedition, and Gumby Brain Specialists, Disc 11: Cheese Shop, A Naked Man, and The Olympic Hide and Seek Final, Disc 12: Elizabethan Pornography Smugglers, Kamikaze Scotsman, and Penguins, Disc 13: Montgolfier Brothers, Department Store, and RAF Banter, Disc 14: Hamlet and Ophelia, Mr. Neutron, and Most Awful Family in Britain, Disc 15: Live at the Hollywood Bowl, Monty Python Live at Aspen, Disc 16: Parrot Sketch Not Included, Monty Python’s Fliegender Zirkus: German Episode #1
Amazon.com:
New for 2005, The Complete Monty Python's Flying Circus 16-Ton Megaset packs together the original 14-DVD megaset with the two-disc Monty Python Live in space-saving Thinpaks. While more cautious fans may want to pick and choose among the previously released individual volumes of Monty Python for their collection, true Pythonites will want to own this definitive megaset that contains all 45 episodes (in chronological order) of Monty Python's Flying Circus. This "persistently silly" collection encompasses three-and-a-half seasons of dead parrots, cross-dressing lumberjacks, loonies, upper class twits, and spam, spam, spam, spam, spam, spam, spam, baked beans, spam, spam, and spam. Click past the occasional clunker and go directly to such signature sketches as the Ministry of Silly Walks, the Spanish Inquisition, the Fish-Slapping Dance, the Dead Parrot Sketch, the Lumberjack Song, the Cheese Shop, the Argument Clinic, and Nudge, Nudge. Taken as a whole, one marvels at how Graham Chapman, John Cleese, Eric Idle, Terry Jones, Michael Palin, and Terry Gilliam thoroughly subverted television convention with "something completely different," like sketches with no punch lines ("Your average TV viewer isn't going to understand this"). A warning to the uninitiated: there is much "material that some may find offensive, but which is really smashing." Violations of something called the "Strange Sketch Act" are the least of the troupe's offenses, as witness the Oscar Wilde Sketch, the Dirty Vicar Sketch, and the Most Awful Family in Britain Sketch, all of which achieve "the really gross awfulness" all Python fans are looking for. Say no more.

Monty Python TV shows, movies, records, and books are a time capsule of their anarchic lunacy. But more precious is an audience with Python, and as close as we can get is Live at the Hollywood Bowl, the long-sought-after 1982 concert film in which the Fab Six perform their greatest hits before a wildly enthusiastic crowd. Robert Klein moderates Live at Aspen, the irreverent 1998 U.S. Comedy Arts Festival tribute that reunited John Cleese, Eric Idle, Michael Palin, Terry Gilliam, and Terry Jones onstage for the first time in 18 years on the occasion of the troupe's 30th anniversary. Highlights include a shockingly funny moment involving Graham Chapman's ashes, and a joyous "Always Look on the Bright Side of Life" sing-along. Less essential is 1989's clip show Parrot Sketch Not Included: 20 Years of Python, which also does not include "The Oscar Wilde Sketch," "Cheese Shop," "Nudge-Nudge," and many other signature sketches. --Donald Liebenson

Description:
John Adams is a sprawling HBO miniseries event that depicts the extraordinary life and times of one of Americas least understood, and most underestimated, founding fathers: the second President of the United States, John Adams. Starring Paul Giamatti (Sideways, Cinderella Man, HBOs American Spendor) in the title role and Laura Linney (You Can Count on Me, Kinsey) as Adams devoted wife Abigail, John Adams chronicles the extraordinary life journey of one of the primary shapers of our independence and government, whose legacy has often been eclipsed by more flamboyant contemporaries like George Washington, Thomas Jefferson, Alexander Hamilton and Benjamin Franklin. Set against the backdrop of a nations stormy birth, this sweeping miniseries is a moving love story, a gripping narrative, and a fascinating study of human nature. Above all, at a time when the nation is increasingly polarized politically, this story celebrates the shared values of liberty and freedom upon which this country was built.
Amazon.com:
Based on David McCullough's bestselling biography, the HBO miniseries John Adams is the furthest thing from a starry-eyed look at America's founding fathers and the brutal path to independence. Adams (Paul Giamatti), second president of the United States, is portrayed as a skilled orator and principled attorney whose preference for justice over anti-English passions earns enemies. But he also gains the esteem of the first national government of the United States, i.e., the Continental Congress, which seeks non-firebrands capable of making a reasoned if powerful case for America's break from England's monarchy. The first thing one notices about John Adams' dramatizations of congress' proceedings, and the fervent pro-independence violence in the streets of Boston and elsewhere, is that America's roots don't look pretty or idealized here. Some horrendous things happen in the name of protest, driving Adams to push the cause of independence in a legitimate effort to get on with a revolutionary war under the command of George Washington. But the process isn't easy: not every one of the 13 colonies-turned-states is ready to incur the wrath of England, and behind-the-scenes negotiations prove as much a part of 18th century congressional sessions as they do today.

Besides this peek into a less-romanticized version of the past, John Adams is also a story of the man himself. Adams' frustration at being forgotten or overlooked at critical junctures of America's early development--sent abroad for years instead of helping to draft the U.S. constitution--is detailed. So is his dismay that the truth of what actually transpired leading to the signing of the Declaration of Independence has been slowly forgotten and replaced by a rosier myth. But above all, John Adams is the story of two key ties: Adams' 54-year marriage to Abigail Adams (Laura Linney), every bit her husband's intellectual equal and anchor, and his difficult, almost symbiotic relationship with Thomas Jefferson (Stephen Dillane) over decades. Giamatti, of course, has to carry much of the drama, and if he doesn't always seem quite believable in the series' first half, he becomes increasingly excellent at the point where an aging Adams becomes bitter over his place in history. Linney is marvelous, as is Dillane, Sarah Polley as daughter Nabby, Danny Huston as cousin Samuel Adams, and above all Tom Wilkinson as a complex but indispensable Ben Franklin. --Tom Keogh

Product Description:
After Oceanic Air flight 815 tore apart in mid-air and crashed on a Pacific island, it s survivors were forced to find inner strength they never knew they had in order to survive. But they discovered that the island hold many secrets, including a mysterious smoke monster, polar bears, a strange French woman and another group of island residents known as The Others. The survivors have also found signs of those who came to the island before them, including a 19th century sailing ship called The Black Rock, the remains of an ancient statue, as well as bunkers belonging to the Dharma Initiative a group of scientific researchers who inhabited the island in the recent past.
Amazon.com:
Season four of Lost was a fine return to form for the series, which polarized its audience the year before with its focus on The Others and not enough on our original crash victims. That season's finale introduced a new storytelling device--the flash-forward--that's employed to great effect this time around; by showing who actually got off the island (known as the Oceanic Six), the viewer is able to put to bed some longstanding loose ends. As the finale attests, we see that in the future Jack (Matthew Fox) is broken, bearded, and not sober, while Kate (Evangeline Lilly) is estranged from Jack and with another guy (the identity may surprise you). Four others do make it back to their homes, but as the flash-forwards show, it's definitely not the end of their connection to the island. Back in present day, however, the islanders are visited by the denizens of a so-called rescue ship, who have agendas of their own. While Jack works with the newcomers to try to get off the island, Locke (Terry O'Quinn), with a few followers of his own, forms an uneasy alliance with Ben (Michael Emerson) against the suspicious gang. Some episodes featuring the new characters feel like filler, but the evolution of such characters as Sun and Jin (Yunjin Kim and Daniel Dae Kim) is this season's strength; plus, the love story of Desmond (Henry Ian Cusick) and Penny (Sonya Walger) provides some of the show's emotional highlights. As is the custom with Lost, bullets fly and characters die (while others may or may not have). Moreover, the fate of Michael (Harold Perrineau), last seen traitorously sailing off to civilization in season two, as well as the flash-forwards of the Oceanic Six, shows you never quite leave the island once you've left. There's a force that pulls them in, and it's a hook that keeps you watching.

Season four was a shorter 13 episodes instead of the usual 22 due to the 2008 writers' strike; nonetheless, the set comes with two discs of extras. One of the best features is "LOST in 8:15," which is a rapid-fire summation of the series thus far in eight minutes, 15 seconds. Narrated by a hilariously droll female, it includes lines such as "Jack meets Kate. Kate stitches up Jack. They bond." and "They see Jack play football with Mr. Friendly. Mr. Friendly throws like a girl." The featurette "The Right to Bear Arms" takes a fun look at the prop masters responsible for supplying the castaways with guns--and keeping track of who has one and who doesn't (best here is Sawyer's (Josh Holloway) assertion that characters often cock their guns just to look cool). Cast members Lilly, Garcia, Yunjin Kim, and Daniel Dae Kim provide a few of the commentaries, and the set even comes with an amusing safety guide for Oceanic Airlines. (Example: "if you notice black smoke emanating from the plane, please alert the captain. It is either a problem with the engines or a mysterious creature.") Finally, for those who bought the standard-def DVD, take a closer look at the front cover after you've removed the O-sleeve; you'll notice the entire cast has been blacked out save for a few: the Oceanic Six. --Ellen A. Kim

Stills from Lost : The Complete Fourth Season (Click for larger image)

Description:
After 20-plus years of single motherhood, after a series of Mr. Not- Quite-Rights, after buying that perfect wedding dress and watching it hang in the closet, Lorelai finally gets married. Yes, but to whom? The answer is just one of the deliciously intriguing what's-gonna-happens in these 22 episodes about a mother, a daughter, a town and a world that devoted Gilmore groupies have taken as their own. Sharpen your wits for the famed, fast-paced Gilmore dialogue -- but let your heart do its thing. From Stars Hollow to New York City to Paris... from Lorelai's wedding to Lane's baby shower to Rory's graduation... from beginning to middle to end... here's Season 7.
Amazon.com:
All good things must end, but not all good things end well. Gilmore Girls is one of the most original and entertaining television programs ever to grace the CW. Lorelai and Rory Gilmore (Lauren Graham and Alexis Bledel) star as the quick-witted and heavily caffeinated mother-daughter duo at the heart of this quirky drama. Normally smarter than the average show, the seventh season represents a slump in an otherwise brilliant run. The seventh season is the first without series creator Amy Sherman-Palladino, and her absence is evident. Smart characters make dumb decisions and dumb characters spend too much time on screen. The normally fluid plot slumbers along as Rory's father Christopher returns as Lorelai's love interest, Rory gets even more serious with Logan, while Luke and Lorelai try to repair their damaged relationship. But it's not all bleak. Highpoints of the season include the birth of Lane's twins, plus the long-awaited cameo by Christiane Amanpour, which sends Rory into a tizzy: "I can't meet Christiane Amanpour in my pajamas!" The counterbalance of the quirky Stars Hollowians, which is half the fun of Gilmore Girls in previous seasons, is gone or, worse, awkwardly shoehorned in. Still, for fans of the series the final season is a must-own, if only to find out what happens to the characters they loved and laughed with for so many years. --Megan Chaffee

Description:
With an unprecedented production budget of million, and from the makers of Blue Planet: Seas of Life, comes the epic story of life on Earth. Five years in production, over 2,000 days in the field, using 40 cameramen filming across 200 locations, shot entirely in high definition, this is the ultimate portrait of our planet. A stunning television experience that captures rare action, impossible locations and intimate moments with our planet's best-loved, wildest and most elusive creatures. From the highest mountains to the deepest rivers, this blockbuster series takes you on an unforgettable journey through the daily struggle for survival in Earth's most extreme habitats. Planet Earth takes you to places you have never seen before, to experience sights and sounds you may never experience anywhere else.
Amazon.com:
As of its release in early 2007, Planet Earth is quite simply the greatest nature/wildlife series ever produced. Following the similarly monumental achievement of The Blue Planet: Seas of Life, this astonishing 11-part BBC series is brilliantly narrated by Sir David Attenborough and sensibly organized so that each 50-minute episode covers a specific geographical region and/or wildlife habitat (mountains, caves, deserts, shallow seas, seasonal forests, etc.) until the entire planet has been magnificently represented by the most astonishing sights and sounds you'll ever experience from the comforts of home. The premiere episode, "From Pole to Pole," serves as a primer for things to come, placing the entire series in proper context and giving a general overview of what to expect from each individual episode. Without being overtly political, the series maintains a consistent and subtle emphasis on the urgent need for ongoing conservation, best illustrated by the plight of polar bears whose very behavior is changing (to accommodate life-threatening changes in their fast-melting habitat) in the wake of global warming--a phenomenon that this series appropriately presents as scientific fact. With this harsh reality as subtext, the series proceeds to accentuate the positive, delivering a seemingly endless variety of natural wonders, from the spectacular mating displays of New Guinea's various birds of paradise to a rare encounter with Siberia's nearly-extinct Amur Leopards, of which only 30 remain in the wild.

That's just a hint of the marvels on display. Accompanied by majestic orchestral scores by George Fenton, every episode is packed with images so beautiful or so forcefully impressive (and so perfectly photographed by the BBC's tenacious high-definition camera crews) that you'll be rendered speechless by the splendor of it all. You'll see a seal struggling to out-maneuver a Great White Shark; swimming macaques in the Ganges delta; massive flocks of snow geese numbering in the hundreds of thousands; an awesome night-vision sequence of lions attacking an elephant; the Colugo (or "flying lemur"--not really a lemur!) of the Philippines; a hunting alliance of fish and snakes on Indonesia's magnificent coral reef; the bioluminescent "vampire squid" of the deep oceans... these are just a few of countless highlights, masterfully filmed from every conceivable angle, with frequent use of super-slow-motion and amazing motion-controlled time-lapse cinematography, and narrated by Attenborough with his trademark combination of observational wit and informative authority. The result is a hugely entertaining series that doesn't flinch from the predatory realities of nature (death is a constant presence, without being off-putting), and each episode ends with 10-minute "Planet Earth Diaries" (exclusive to this DVD set) that cover a specific aspect of production, like "Diving with Pirahnas" or "Into the Abyss" (the latter showing the rigors of filming the planet's most spectacular caves, including the last filming ever officially permitted in the "Chandelier Ballroom," a crystal-encrusted cavern found over a mile deep in New Mexico's treacherous Lechuguilla, the deepest cave in the continental United States.)

With so many of Earth's natural wonders on display, it's only fitting that the final DVD in this five-disc set is devoted to Planet Earth: The Future, a separate three-part series in which a global array of experts is assembled to discuss issues of conservation, protection of delicate ecosystems, and the socio-economic benefits of understanding nature as a commodity that returns trillions of dollars in value at no cost to Earth's human population. At a time when the multiple threats of global warming should be obvious to all, let's give Sir David the last word, from the closing of Planet Earth's final episode: "We can now destroy or we can cherish--the choice is ours." --Jeff Shannon

Stills from Planet Earth (click for larger image)

Description:

• Audio: English: 5.1 Dolby Surround / Spanish: Dolby Surround
• Language: Dubbed: English & Spanish / Subtitled: English, French, & Spanish
• Aspect Ratio: Widescreen 1.78:1

Disc 1:

• Forced Trailers: FBC Spot
• Directors Take:
• The vault
• Making of the Body
• Car Crash - Exploding Van
• Squints
• The Angelator
• Gag Reel

Disc 2:

• The Knight on the Grid - Extended Episode
• The Santa in the Slush - Extended Kiss Scene
• Player Under Pressure Original Version

Disc 3:

• The Baby in the Bough - Extended Episode

Episode Description:
Disc 1:

• The Widow's Son in the Windshield
• Soccer Mom in the Mini-Van
• Death in the Saddle

Disc 2:

• The Secret in the Soil
• Mummy in the Maze
• Intern in the Incinerator
• Boy in the Time Capsule

Disc 3:

• The Knight on the Grid
• The Santa in the Slush
• The Man in the Mud
• Player Under Pressure

Disc 4:

• The Baby in the Bough
• The Verdict in the Story
• The Wannabe in the Weeds
• The Pain in the Heart

Disc 5:

• Bonus Season 4 Episodes:
• The Yanks in the UK, Part One
• The Yanks in the UK, Part Two
• The Man in the Outhouse
• The Finger in the Nest

Amazon.com:

Stills from Bones – Season Three (Click for larger image)

Description:
Steve Carell (Get Smart) returns in his Golden Globe®-winning role of “The World’s Greatest Boss,” Michael Scott, in Season Four of the hit comedy series The Office! This must-own four-disc set includes every irreverent episode from Season Four, including the five extended full TV-hour specials, plus hours of hilarious deleted scenes and bonus features! Rejoin Jim (John Krasinski) and Pam (Jenna Fischer) as they bring romance to the workplace, Dwight (Rainn Wilson) as he continues his quest to be Michael’s right-hand man, and newly deemed “Wunderkind” Ryan (B.J. Novak), who’s working to drag Dunder Mifflin into the digital age. Developed for American TV by Primetime Emmy® Award winner Greg Daniels (King of the Hill, The Simpsons), The Office is the intelligent and edgy Primetime Emmy® Award-winning series that critics are hailing as “the funniest show on TV” (Gavin Edwards, Rolling Stone). You’ll enjoy the inappropriate remarks, uncomfortable silences and petty behavior again and again!
Amazon.com:
Is a season of The Office with less episodes still a great season? That seems to be the debate among the Emmy-winning sitcom's faithful audience in regard to season four, which like every program in 2007 and 2008 suffered due to the Writers Guild strike. But even a truncated season can't dispel the fact that The Office remains one of television's funniest and most consistently inventive programs. If a theme can be grafted upon season four, it's Things Fall Apart: former temp Ryan (writer-producer B.J. Novak) is promoted to executive position and then squanders that power, while Dwight (series MPV Rainn Wilson) attempts to recover from his breakup with Angela (Angela Kinsey) and her apparent relationship with the hapless Andy (Ed Helms). Elsewhere, HR's Toby (writer-director Paul Lieberstein) finally flees Dunder Mifflin for that long-threatened vacation to Costa Rica (and is replaced by Oscar nominee Amy Ryan), and Stanley (Leslie David Baker) reaches his own breaking point in "Did I Stutter?" The center of office entropy is, of course, boss Michael Scott (Steve Carell), who is knocked off his pedestal throughout the season; his sweetly naïve television spot is disparaged in "Local Ad," he's passed over for the executive outing in "Survivor Man," and in the season's highlights, he is forced to twice endure humiliation at the hands of his own girlfriend Jan (Melora Hardin), first in the heartbreaking "Deposition," and then immediately after in the Emmy-nominated "Dinner Party," which puts their disintegrating relationship in sharp focus. Even office lovebirds Jim (John Krasinski) and Pam (Jenna Fischer) experience some rocky moments as Jim anguishes over the right time to propose to her. But don't let that laundry list of disasters fool you into thinking that season four is a downer; if anything, many of the episodes are among the funniest the show has produced to date. Most notable among these are the opener "Fun Run" (the Scranton team participates in Michael's charity race for rabies prevention), "Job Fair" (Michael attempts to hawk Dunder Mifflin to high schoolers, while Jim struggles to land a client), and the aforementioned "Dinner Party" and "Goodbye, Toby." Longtime viewers may wince at some of the broader gags in the season, like Michael and Dwight driving into the lake in "Dunder Mifflin Infinity," but the best episodes are so strong--and Carell and his fellow players so dead-on in their performances--that it's hard to make a case against the season for those relatively few low points. Extras in the season-four set are fewer than in previous releases, though that may have to do with the reduced number of episodes. Deleted scenes are offered for every episode, and many are real gems, most notably those in "Dinner Party" and "Goodbye Toby." A smattering of commentaries is also included; Carell and Krasinski are noticeably absent, but Wilson, Fischer and the writing and directing staff more than make up for their absence. And the featurette "Writer's Block," which includes footage of the writers' panel at an Office convention, gives an amusing alternate to the usual behind-the-scenes coverage. Michael's complete ad for Dunder Mifflin, a battery of amusing faux PSAs for rabies, and a gag reel do much to fill out the supplemental features. --Paul Gaita



Stills from Season Four of The Office (Click for larger image)

Product Description:
Miami forensic blood analyst Dexter Morgan investigates murders by day, and by night kills those who have escaped justice.
Amazon.com:
Dark and sinister is the new sexy, thanks to Dexter, which in its second season has proven to be the most successful series Showtime has offered up yet. Remember how much you squirmed in your seat during the season one finale? Believe it or not, the premiere of season two felt like it could have been a season finale--because jaws were on the floor when the credits rolled. For being a supposed sociopath, Dex is pretty broken up about the gruesome events that concluded last season. The one and only person who could possibly understand him is six feet under, and it seems our unlikely hero is losing his homicidal grip. He’s even having a little trouble slicing up a few of his latest victims (from a murderous gang member to a chainsaw-wielding fiend from his past). Enter Lila (Jaime Murray, Hustle), a lady with a sweet British accent and a few dark secrets of her own. She seems to accept Dex for who he really is, and he finds himself feeling relaxed for the first time in his life. In contrast, his relationship with his girlfriend Rita (Julie Benz) has been stretched almost to a breaking point. The problem is, he should be anything but relaxed. Someone picked a poor place to go scuba diving off the Florida coast, and came across an underwater graveyard: Dex’s primo spot for dropping dismembered bodies wrapped in heavy-duty trash bags. Word about the "Bay Harbor Butcher" gets out quick, and the F.B.I. sends the best of the best, Special Agent Frank Lundy (Keith Carradine, Deadwood) to work alongside the police to sniff out Miami’s latest serial killer. This guy is no schlub, and Dex may have met his match. And, yes, Dexter gets to work with Lundy on a daily basis, which provides some wonderfully awkward moments. It certainly doesn’t help that the intuitively paranoid Sergeant Doakes (Erik King, Oz) is hot on Dex’s trail.

Season two of Dexter is all about decisions. Lila or Rita? Old code or new code? Run or fight? Right or wrong? Well, one thing’s for sure: When it comes to writing, casting, acting, and production, the makers of this show made all the right decisions. Michael C. Hall is simply superb as the title character. You’ll never find yourself more willing to genuinely root for a serial killer. It’s bloody liberating. --Jordan Thompson