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Description:
*Seasons 1-7 on each disc

Bonus Disc: **Introduction by Joss Whedon **Back to the Hellmouth: A Conversation with Creators and Cast **Breaking Barriers: It's Not a Chick Fight Thing **Love Bites: Relationships in the Buffyverse **Evil Fiends **Buffy: An Unlikely Role Model **Buffy Cast and Crew: Favorite Episodes
Amazon.com:
From its charming and angst-ridden first season to the darker, apocalyptic final one, Buffy the Vampire Slayer succeeds on many levels, and in a fresher and more authentic way than the shows that came before or after it. How lucky, then, that with the release of its boxed set of seasons 1-7, you can have the estimable pleasure of watching a near-decade of Buffy in any order you choose. (And we have some ideas about how that should be done.)

First: rest assured that there's no shame in coming to Buffy late, even if you initially turned your nose up at the winsome Sarah Michelle Gellar kicking the hell out of vampires (in Buffy-lingo, vamps), demons, and other evil-doers. Perhaps you did so because, well, it looked sort of science-fiction-like with all that monster latex. Start with season 3 and see that Buffy offers something for everyone, and the sooner you succumb to it, the quicker you'll appreciate how textured and riveting a drama it is.

Why season 3? Because it offers you a winning cast of characters who have fallen from innocence: their hearts have been broken, their egos trampled in typically vicious high-school style, and as a result, they've begun to realize how fallible they are. As much as they try, there are always more monsters, or a bigger evil. Despite this, or perhaps because of it, the core crew remains something of a unit--there's the smart girl, Willow (Alyson Hannigan) who dreams of saving the day by downloading the plans to City Hall's sewer tunnels and mapping a route to safety. There are the ne'r do wells--the vampire Spike (James Marsters), who both clashes with and aspires to love Buffy; the tortured and torturing Angel (David Boreanz); the pretty, popular girl with an empty heart (Charisma Carpenter); and the teenage everyman, Xander (Nicholas Brendon).

Then there's Buffy herself, who in the course of seven seasons morphs from a sarcastic teenager in a minidress to a heroine whose tragic flaw is an abiding desire to be a "normal" girl. On a lesser note, with the boxed set you can watch the fashion transformation of Buffy from mall rat to Prada-wearing, kickboxing diva with enviable highlights. (There was the unfortunate bob of season 2, but it's a forgivable lapse.) At least the storyline merits the transformations: every time Buffy has to end a relationship she cuts her hair, shedding both the pain and her vulnerability.

In addition to the well-wrought teenage emotional landscape, Buffy deftly takes on more universal themes--power, politics, death, morality--as the series matures in seasons 4-6. And apart from a few missteps that haven't aged particularly well ("I Robot" in season 1 comes to mind), most episodes feel as harrowing and as richly drawn as they did at first viewing. That's about as much as you can ask for any form of entertainment: that it offer an escape from the viewer's workaday world and entry into one in which the heroine (ideally one with leather pants) overcomes demons far more troubling than one's own. --Megan Halverson

Amazon.com:

Dr. No
Amazon.com essential video
Released in 1962, this first James Bond movie remains one of the best, and serves as an entertaining reminder that the Bond series began (in keeping with Ian Fleming's novels) with a surprising lack of gadgetry and big-budget fireworks. Sean Connery was just 32 years old when he won the role of Agent 007. In his first adventure James Bond is called to Jamaica where a colleague and secretary have been mysteriously killed. With an American CIA agent (Jack Lord, pre-Hawaii Five-O), they discover that the nefarious Dr. No (Joseph Wiseman) is scheming to blackmail the U.S. government with a device capable of deflecting and destroying U.S. rockets launched from Cape Canaveral. Of course, Bond takes time off from his exploits to enjoy the company of a few gorgeous women, including the bikini-clad Ursula Andress. She gloriously kicks off the long-standing tradition of Bond women who know how to please their favorite secret agent. A sexist anachronism? Maybe, but this is Bond at his purest, kicking off a series of movies that shows no sign of slowing down. --Jeff Shannon

Product Description
This first in the series of james bond flicks pits 007 against a dabolical master criminal with plans to conquer the world. Studio: Tcfhe/mgm Release Date: 09/04/2007 Starring: Sean Connery Joseph Wiseman Run time: 110 minutes Rating: Pg


Die Another Day
Amazon.com
The 20th James Bond adventure, Die Another Day succeeds on three important fronts: it avoids comparison to Austin Powers by keeping its cheesy humor in check, allows Halle Berry to be sexy and worthy of a spinoff franchise, and keeps pace with the technical wizardry that modern action films demand. Pierce Brosnan's got style and staying power as James Bond, now bearing little resemblance to Ian Fleming's original British super-spy, but able to hold his own at the box office. He's paired with American agent Jinx (Berry) in chasing a genetically altered North Korean villain (Rick Yune) armed with a satellite capable of destroying just about anything. John Cleese and Judi Dench reprise their recurring roles (as "Q" and "M," respectively); they're accompanied by weapons-laden sports cars, a hokey cameo by Madonna (who sings the techno-pulsed theme song), and enough double-entendres to keep Bond-philes adequately shaken and stirred. With clever nods to 007's cinematic legacy, Die Another Day makes you welcome the familiar end-credits promise: James Bond will return. --Jeff Shannon

Product Description
When his top-secret mission is sabotaged, James Bond (Pierce Brosnan) finds himself captured by theenemy, abandoned by MI6 and stripped of his 00-license. Determined to get revenge, Bond goes head-to-head with a sultry spy (OscarÂ(r) winner* Halle Berry), a frosty agent (Rosamund Pike) anda shadowy billionaire (Toby Stephens) whose business is diamonds but whose secret is a diabolical weapon that could bring the world to its knees! Bristling with excitement and bursting with explosivespecial effects, Die Another Day is an adrenaline-pumping thrill-ride with "stunts and non-stop action [that] will astonish you" (Jeffrey Lyons, WNBC-TV)! *2001: Actress, Monster'sBall


Live and Let Die
Amazon.com
Roger Moore was introduced as James Bond in this 1973 action movie featuring secret agent 007. More self-consciously suave and formal than predecessor Sean Connery, he immediately reestablished Bond as an uncomplicated and wooden fellow for the feel-good '70s. This film also marks a deviation from the more character-driven stories of the Connery years, a deliberate shift to plastic action (multiple chases, bravura stunts) that made the franchise more of a comic book or machine. If that's not depressing enough, there's even a good British director on board, Guy Hamilton (Force 10 from Navarone). The story finds Bond taking on an international drug dealer (Yaphet Kotto), and while that may be superficially relevant, it isn't exactly the same as fighting supervillains on the order of Goldfinger. --Tom Keogh

Product Description
In moores first film as james bond 007 infiltrates a gang of narcotics smugglers leading him on a number of incredible chases. Studio: Tcfhe/mgm Release Date: 09/04/2007 Starring: Roger Moore Yaphet Kotto Run time: 122 minutes Rating: Pg


For Your Eyes Only
Amazon.com
After a ship sunk off the coast of Albania, the world's superpowers begin a feverish search for its valuable lost cargo: the powerful ATAC system, which will give its bearer unlimited control over Polaris nuclear submarines. As Bond joins the search, he suspects the suave Kristatos (Julian Glover) of seizing the device. The competition between nations grows more deadly by the moment, but Bond finds an ally in the beautiful Melina Havelock (Caroline Bouquet), who blames Kristatos for the death of her parents. The non-stop action includes automobile chases, thrilling underwater battles, and even a breathtaking tour over razor-sharp coral reefs. But all of this is merely a prelude to 007's cliffhanging assault of a magnificent mountaintop fortress. -- Robert Lynch

Product Description
James Bond is thrust into one of his most riveting adventures in this jam-packed free-for-all of outrageous stunts, passionate encounters and exciting confrontations. Roger Moore portrays Agent 007 with lethal determination in a plot that finds him racing


From Russia With Love
Amazon.com essential video
Directed with consummate skill by Terence Young, the second James Bond spy thriller is considered by many fans to be the best of them all. Certainly Sean Connery was never better as the dashing Agent 007, whose latest mission takes him to Istanbul to retrieve a top-secret Russian decoding machine. His efforts are thwarted when he gets romantically distracted by a sexy Russian double agent (Daniela Bianchi), and is tracked by a lovely assassin (Lotte Lenya) with switchblade shoes, and by a crazed killer (Robert Shaw), who clashes with Bond during the film's dazzling climax aboard the Orient Express. From Russia with Love is classic James Bond, before the gadgets, pyrotechnics, and Roger Moore steered the movies away from the more realistic tone of the books by Ian Fleming. --Jeff Shannon

Product Description
James Bond 007 is sent on a mission to Istanbul to try and acquire a Russian cypher machine known as Lektor from a defecting Russian agent. However the Russians have no knowledge of this as it is a S.P.E.C.T.R.E. ploy to lure James Bond into a trap - a fitting tribute to their now- dead agent Dr. No.Run Time: 111 minutesFormat: DVD MOVIE Genre: ACTION/ADVENTURE Rating: PG UPC: 027616066176 Manufacturer No: M106619


Thunderball
Amazon.com
James Bond's fourth adventure takes him to the Bahamas, where a NATO warplane with a nuclear payload has disappeared into the sea. Bond (Sean Connery) travels from a tiny health spa (where he tangles with a mechanized masseuse run amuck) to the casinos of Nassau and soon picks up the trail of SPECTRE's number-two man, Emilio Largo (Adolfo Celi), and his beautiful mistress, Domino (Claudine Auger), whom Bond soon seduces to his side. Equipped with more gadgets than ever, courtesy of the resourceful "Q" (Desmond Llewelyn), agent 007 escapes an ambush with a personal-size jet pack and takes to the water as he searches for the undersea plane, battles Largo's pet sharks, and finally leads the battle against Largo's scuba-equipped henchmen in a spectacular underwater climax. This thrilling Bond entry became Connery's most successful outing in the series and was remade in 1983 as Never Say Never Again, with Connery returning to the role after a 12-year hiatus. Tom Jones belts out the bold theme song to another classic Maurice Binder title sequence. --Sean Axmaker

Product Description
The thrills never let up as James Bond dives into this riveting adventure filled with explosive confrontations and amazing underwater action sequences! Sean Connery brings his characteristic style, humor and magnetism to Agent 007 as he travels to Nassau

Beyond James Bond

Casino Royale

Planet of the Apes

Butch Cassidy and the Sundance Kid

Stills from James Bond films (Click for larger image)

Description:
With fuel prices skyrocketing, the Planet Express crew sets off on a dangerous mission: to infiltrate the world's only dark-matter mine, source of all spaceship fuel. But deep beneath the surface lies a far stranger place... a medieval land of dragons and sorcery and intoxicated knights who look suspiciously like Bender. So park your hover-car and saddle up your unicorn for Futurama's grandest adventure yet: BENDER'S GAME!
Amazon.com:
At once a merciless skewering of all things fanboy and an extremely satisfying addition to the Futurama franchise, Bender's Game is among the best of the animated series' feature length adventures. The game in question is Dungeons and Dragons, and Bender wants in--only robots aren't programmed with the necessary imagination. Naturally, Bender's plans to develop one go completely awry and land him in an android asylum. The role-playing plotline later re-emerges--in typically convoluted Futurama fashion--via a subplot involving Professor Farnsworth's conversion of dark matter into spaceship fuel, which created a key to a very D&D-influenced universe where our hapless heroes eventually find themselves. The alternate world storyline allows for much lampooning of fantasy tropes, with Lord of the Rings receiving the lion's share of the tweaks. Seeing as how the writers have already devoted much of the movie's running time to parodying Star Wars and Star Trek (and their Lego offshoots), one might think that Bender's Game might suffer from pop-culture overload, but surprisingly, it all feels fresh and frequently funny, and the writers are wise to ground the story in their eccentric characters rather than pinballing them through an endless string of gags. The result is probably the strongest of the direct-to-DVD Futurama releases to date, and one that newcomers to the show's cracked universe can appreciate as much as longtime fans.As with previous Futurama DVD releases, the extras come fast and furious on Bender's Game: commentary by members of the cast and production team (including Matt Groening) is both informative and funny, while interviews with the writers and producers discuss, among other topics, the influence of Dungeons and Dragons on the series and the 3D models used in the feature. Aspiring animators might appreciate "How To Draw Futurama in 83 Easy Steps and the storyboard animatic for the first part of the story, while the "Genetics Lab" feature allows for some amusing Dr. Moreau-style cross-breeding of the characters. Recording session bloopers and a deleted scene offer their own laughs, but the most enjoyable extra must be the preview for the next Futurama feature, Into the Wild Green Yonder, which suggests a shocking development for one of the show's regulars. -- Paul Gaita

Beyond Futurama: Bender's Game

The Simpsons

Family Guy

King of the Hill

Stills from Futurama: Bender's Game (Click for larger image)

Product Description:

Genre: Television: Series
Rating: UN
Release Date: 21-OCT-2008
Media Type: DVD
Amazon.com:
In a clever move, the producers of The L Word use season five to revisit the origins of their own creation. After Jenny (Mia Kirshner) sets out to direct the silver-screen edition of her novel, Lez Girls, she enters a parallel world populated by actors playing thinly-veiled versions of the central cast (in a typical Jenny move, she sleeps with the star who portrays "Jesse"). This post-modern plotline brings newcomers up to speed, while offering early-adapters new perspectives on the past. Naturally, the shoot doesn't go smoothly. When the increasingly self-absorbed Jenny hires adoring fan Adele (ER's Malaya Rivera Drew) as her assistant, events take on All About Eve overtones. Since Jenny is turning her life into a movie, it only makes sense for the two to bleed into each other. In other developments, Tina (Laurel Holloman) and Bette (Jennifer Beals) consider reconciliation, Helena (Rachel Shelley) does time in prison, Alice (Leisha Hailey) takes her penchant for gossip too far, Tasha (Rose Rollins) fights to stay in the military, and Shane (Katherine Moennig), a dead ringer for Warren Beatty in Shampoo, rejoins the ranks of the single, only to fall for straight girl Molly (Cybill Shepherd's daughter, Clementine Ford).

In a more melodramatic, but equally entertaining move, Dawn Denbo (Elizabeth Keener), proprietor of new hotspot SheBar makes life hell for the Planet, but Kit (Pam Grier) and her loyal clientele refuse to go down without a fight--even if they don't offer "Lesbian Turkish Oil Wrestling." Aside from the fact that Max (Daniela Sea) continues to get short shrift, The L Word's fifth year proves the show has more than a little lusty and gutsy life left in it, and was renewed for a sixth season. Extras include cast biographies and episodes of Showtime's Dexter, Californication, and This American Life. --Kathleen C. Fennessy

Description:
For too long, Carrie Bradshaw (Sarah Jessica Parker) had been looking for love in all the wrong places... but in all the right shoes. In this much-anticipated movie event, Carrie, Samantha (Kim Cattrall), Charlotte (Kristin Davis) and Miranda (Cynthia Nixon) are back, four years after the hit TV series ended.
Amazon.com:
As light and frothy as the Vivienne Westwood wedding gown that's an unofficial fifth star, the film version of Sex and the City is both captivatingly stylish and sweetly sentimental. Viewers who loved hanging with Carrie Bradshaw and her three pals during the series' TV run will feel as though no time has passed. Except that it has: Carrie and Big are poised to make a Big Commitment; Miranda and Steve are facing the breakup of their wonderful family; Charlotte and Harry have added to their brood; and Samantha (are we sitting down?) has been devoted to hunky Smith for five full years. Still, in all that time, the women's style, conviviality, and appetite for bons mots have only grown. When practical attorney Miranda learns that Carrie is considering moving in with Big (in possibly the coolest apartment in Manhattan), she can't help but frown in that but-you-might-lose-everything way. Carrie's retort: "For once, can't you feel what I want you to feel--jealous?!" The cast is spot-on, as always. Sarah Jessica Parker is effortless as the angst-ridden yet practical, stylish yet vulnerable Carrie. Kim Cattrall is deliciously decadent as Samantha, but she's wiser now and knows herself and her needs for a real relationship. Kristin Davis, as Charlotte, has quietly become the most gorgeous among the beauties, her sleek presence both winsome and sophisticated. And Cynthia Nixon (Miranda) shows nuance as a woman torn between betrayal and grudging hope. Supporting roles include Candice Bergen as the Vogue editor who anoints Carrie "The Last Single Girl in New York," and Jennifer Hudson, as a starry-eyed, ambitious romantic who represents the new generation of SATC women. Through it all, New York is a benevolent cocoon that envelopes and nurtures the women and their friendships and careers. No matter that none of them appears to have any semblance of "real" family; as long as they have each other, and Manhattan, all will be right with their world. --A.T. Hurley

Stills from Sex and the City: The Movie (click for larger image)

Description:
America's first family of comedy is back with its sixth volume of hilarity and hi-jinx.

• Audio: English: 5.1 Dolby Surround
• Language: Dubbed: English / Subtitled: English, French, & Spanish
• Aspect Ratio: Full Screen: 1.33:1

Disc 1:

• No Meals On Wheels
• Unrated audio is Default. Uncensored Audio
• Commentary by Executive Producer Seth MacFarlane, Director Greg Colton, Writer Mike Henry, Actor Patrick Warburton and Composer Walter Murphy
• Boys Do Cry
• Unrated audio is Default. Uncensored Audio
• Commentary by Executive Producers Seth MacFarlane and Danny Smith, Director Brian Iles, and Writer Cherry Chevapravatdumrong
• No Chris Left Behind
• Unrated audio is Default. Uncensored Audio
• Commentary by Executive Producers Seth MacFarlane, David A. Goodman and Chris Sheridan, Director Pete Michels, Writer Patrick Meighan and Actor Seth Green
• It Takes A Village Idiot, And I Married One
• Unrated audio is Default. Uncensored Audio
• Commentary by Executive Producer Seth MacFarlane, Co-Executive Producer Danny Smith, Writer/Actor Alex Borstein and Actor Mila Kunis
• Meet The Quagmires
• Unrated audio is Default. Uncensored Audio
• Commentary by Executive Producer Seth MacFarlane, Director Dan Povenmire, Writer Mark Hentemann, Actor Adam Carolla and Production Staff Kara Vallow

Disc 2:

• Movin' Out (Brian's Song)
• Unrated audio is Default. Uncensored Audio
• Commentary by Executive Producers Seth MacFarlane, David A. Goodman and Chris Sheridan, Director Cyndi Tang and Writer John Viener
• Believe It Or Not, Joe's Walking On Air
• Unrated audio is Default. Uncensored Audio
• Commentary by Executive Producer Seth MacFarlane, Director Julius Wu, Writer Andrew Goldberg, Actor Patrick Warburton and Composer Walter Murphy
• (100th episode) Stewie Kills Lois
• Unrated audio is Default. Uncensored Audio
• Commentary by Executive Producers Seth MacFarlane, David A. Goodman and Chris Sheridan, Co-Producer Kim Fertman, Director Greg Colton, Writer Steve Callaghan, Actor Alex Borstein and Composer Ron Jones
• Lois Kills Stewie
• Unrated audio is Default. Uncensored Audio
• Commentary by Executive Producers Seth MacFarlane, David A. Goodman and Chris Sheridan, Co-Producer Kim Fertman, Director Greg Colton, Writer Steve Callaghan, Actor Alex Borstein and Composer Ron Jones
• Padre de Familia
• Unrated audio is Default. Uncensored Audio
• Commentary by Executive Producers Seth MacFarlane and David A. Goodman, Director Pete Michels, Writer Kirker Butler and Actor Phyllis Diller
• Peter's Daughter
• Unrated audio is Default. Uncensored Audio
• Commentary by Executive Producers Seth MacFarlane and David A. Goodman, Executive Producer/Writer Chris Sheridan and Actor Mila Kunis

Disc 3:

• McStroke
• Unrated audio is Default. Uncensored Audio
• Commentary by Executive Producers Seth MacFarlane and David A. Goodman, Director Brian Iles, Writer Wellesley Wild and Actor Lisa Wilhoit

Episode Description:
Disc 1:

• No Meals On Wheels
• Boys Do Cry
• No Chris Left Behind
• It Takes A Village Idiot, And I Married One
• Meet The Quagmires

Disc 2:

• Movin' Out (Brian's Song)
• Believe It Or Not, Joe's Walking On Air
• (100th episode) Stewie Kills Lois
• Lois Kills Stewie
• Padre de Familia
• Peter's Daughter

Disc 3:

• McStroke

Amazon.com:
Meet the Griffins: Peter, the big, lovable oaf who always says what’s on his mind. Lois, the doting mother who can’t figure out why her baby son keeps trying to kill her. Their daughter Meg, the teen drama queen who’s constantly embarrassed by her family. Chris, the beefy 13-year-old who wouldn’t hurt a fly, unless it landed on his hot dog. Stewie, the maniacal one-year-old bent on world domination. And Brian, the sarcastic dog with a wit as dry as the martinis he drinks. The animated adventures of his outrageous family will have your whole family laughing out loud..

Stills from Family Guy - Vol. 6 (Click for larger image)

Product Description:
After Oceanic Air flight 815 tore apart in mid-air and crashed on a Pacific island, it s survivors were forced to find inner strength they never knew they had in order to survive. But they discovered that the island hold many secrets, including a mysterious smoke monster, polar bears, a strange French woman and another group of island residents known as The Others. The survivors have also found signs of those who came to the island before them, including a 19th century sailing ship called The Black Rock, the remains of an ancient statue, as well as bunkers belonging to the Dharma Initiative a group of scientific researchers who inhabited the island in the recent past.
Amazon.com:
Season four of Lost was a fine return to form for the series, which polarized its audience the year before with its focus on The Others and not enough on our original crash victims. That season's finale introduced a new storytelling device--the flash-forward--that's employed to great effect this time around; by showing who actually got off the island (known as the Oceanic Six), the viewer is able to put to bed some longstanding loose ends. As the finale attests, we see that in the future Jack (Matthew Fox) is broken, bearded, and not sober, while Kate (Evangeline Lilly) is estranged from Jack and with another guy (the identity may surprise you). Four others do make it back to their homes, but as the flash-forwards show, it's definitely not the end of their connection to the island. Back in present day, however, the islanders are visited by the denizens of a so-called rescue ship, who have agendas of their own. While Jack works with the newcomers to try to get off the island, Locke (Terry O'Quinn), with a few followers of his own, forms an uneasy alliance with Ben (Michael Emerson) against the suspicious gang. Some episodes featuring the new characters feel like filler, but the evolution of such characters as Sun and Jin (Yunjin Kim and Daniel Dae Kim) is this season's strength; plus, the love story of Desmond (Henry Ian Cusick) and Penny (Sonya Walger) provides some of the show's emotional highlights. As is the custom with Lost, bullets fly and characters die (while others may or may not have). Moreover, the fate of Michael (Harold Perrineau), last seen traitorously sailing off to civilization in season two, as well as the flash-forwards of the Oceanic Six, shows you never quite leave the island once you've left. There's a force that pulls them in, and it's a hook that keeps you watching.

Season four was a shorter 13 episodes instead of the usual 22 due to the 2008 writers' strike; nonetheless, the set comes with two discs of extras. One of the best features is "LOST in 8:15," which is a rapid-fire summation of the series thus far in eight minutes, 15 seconds. Narrated by a hilariously droll female, it includes lines such as "Jack meets Kate. Kate stitches up Jack. They bond." and "They see Jack play football with Mr. Friendly. Mr. Friendly throws like a girl." The featurette "The Right to Bear Arms" takes a fun look at the prop masters responsible for supplying the castaways with guns--and keeping track of who has one and who doesn't (best here is Sawyer's (Josh Holloway) assertion that characters often cock their guns just to look cool). Cast members Lilly, Garcia, Yunjin Kim, and Daniel Dae Kim provide a few of the commentaries, and the set even comes with an amusing safety guide for Oceanic Airlines. (Example: "if you notice black smoke emanating from the plane, please alert the captain. It is either a problem with the engines or a mysterious creature.") Finally, for those who bought the standard-def DVD, take a closer look at the front cover after you've removed the O-sleeve; you'll notice the entire cast has been blacked out save for a few: the Oceanic Six. --Ellen A. Kim

Stills from Lost : The Complete Fourth Season (Click for larger image)

Description:
Steve Carell (Get Smart) returns in his Golden Globe®-winning role of “The World’s Greatest Boss,” Michael Scott, in Season Four of the hit comedy series The Office! This must-own four-disc set includes every irreverent episode from Season Four, including the five extended full TV-hour specials, plus hours of hilarious deleted scenes and bonus features! Rejoin Jim (John Krasinski) and Pam (Jenna Fischer) as they bring romance to the workplace, Dwight (Rainn Wilson) as he continues his quest to be Michael’s right-hand man, and newly deemed “Wunderkind” Ryan (B.J. Novak), who’s working to drag Dunder Mifflin into the digital age. Developed for American TV by Primetime Emmy® Award winner Greg Daniels (King of the Hill, The Simpsons), The Office is the intelligent and edgy Primetime Emmy® Award-winning series that critics are hailing as “the funniest show on TV” (Gavin Edwards, Rolling Stone). You’ll enjoy the inappropriate remarks, uncomfortable silences and petty behavior again and again!
Amazon.com:
Is a season of The Office with less episodes still a great season? That seems to be the debate among the Emmy-winning sitcom's faithful audience in regard to season four, which like every program in 2007 and 2008 suffered due to the Writers Guild strike. But even a truncated season can't dispel the fact that The Office remains one of television's funniest and most consistently inventive programs. If a theme can be grafted upon season four, it's Things Fall Apart: former temp Ryan (writer-producer B.J. Novak) is promoted to executive position and then squanders that power, while Dwight (series MPV Rainn Wilson) attempts to recover from his breakup with Angela (Angela Kinsey) and her apparent relationship with the hapless Andy (Ed Helms). Elsewhere, HR's Toby (writer-director Paul Lieberstein) finally flees Dunder Mifflin for that long-threatened vacation to Costa Rica (and is replaced by Oscar nominee Amy Ryan), and Stanley (Leslie David Baker) reaches his own breaking point in "Did I Stutter?" The center of office entropy is, of course, boss Michael Scott (Steve Carell), who is knocked off his pedestal throughout the season; his sweetly naïve television spot is disparaged in "Local Ad," he's passed over for the executive outing in "Survivor Man," and in the season's highlights, he is forced to twice endure humiliation at the hands of his own girlfriend Jan (Melora Hardin), first in the heartbreaking "Deposition," and then immediately after in the Emmy-nominated "Dinner Party," which puts their disintegrating relationship in sharp focus. Even office lovebirds Jim (John Krasinski) and Pam (Jenna Fischer) experience some rocky moments as Jim anguishes over the right time to propose to her. But don't let that laundry list of disasters fool you into thinking that season four is a downer; if anything, many of the episodes are among the funniest the show has produced to date. Most notable among these are the opener "Fun Run" (the Scranton team participates in Michael's charity race for rabies prevention), "Job Fair" (Michael attempts to hawk Dunder Mifflin to high schoolers, while Jim struggles to land a client), and the aforementioned "Dinner Party" and "Goodbye, Toby." Longtime viewers may wince at some of the broader gags in the season, like Michael and Dwight driving into the lake in "Dunder Mifflin Infinity," but the best episodes are so strong--and Carell and his fellow players so dead-on in their performances--that it's hard to make a case against the season for those relatively few low points. Extras in the season-four set are fewer than in previous releases, though that may have to do with the reduced number of episodes. Deleted scenes are offered for every episode, and many are real gems, most notably those in "Dinner Party" and "Goodbye Toby." A smattering of commentaries is also included; Carell and Krasinski are noticeably absent, but Wilson, Fischer and the writing and directing staff more than make up for their absence. And the featurette "Writer's Block," which includes footage of the writers' panel at an Office convention, gives an amusing alternate to the usual behind-the-scenes coverage. Michael's complete ad for Dunder Mifflin, a battery of amusing faux PSAs for rabies, and a gag reel do much to fill out the supplemental features. --Paul Gaita



Stills from Season Four of The Office (Click for larger image)

Description:
Steve Carell (Get Smart) returns in his Golden Globe®-winning role of “The World’s Greatest Boss,” Michael Scott, in Season Four of the hit comedy series The Office! This must-own four-disc set includes every irreverent episode from Season Four, including the five extended full TV-hour specials, plus hours of hilarious deleted scenes and bonus features! Rejoin Jim (John Krasinski) and Pam (Jenna Fischer) as they bring romance to the workplace, Dwight (Rainn Wilson) as he continues his quest to be Michael’s right-hand man, and newly deemed “Wunderkind” Ryan (B.J. Novak), who’s working to drag Dunder Mifflin into the digital age. Developed for American TV by Primetime Emmy® Award winner Greg Daniels (King of the Hill, The Simpsons), The Office is the intelligent and edgy Primetime Emmy® Award-winning series that critics are hailing as “the funniest show on TV” (Gavin Edwards, Rolling Stone). You’ll enjoy the inappropriate remarks, uncomfortable silences and petty behavior again and again!
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Is a season of The Office with less episodes still a great season? That seems to be the debate among the Emmy-winning sitcom's faithful audience in regard to season four, which like every program in 2007 and 2008 suffered due to the Writers Guild strike. But even a truncated season can't dispel the fact that The Office remains one of television's funniest and most consistently inventive programs. If a theme can be grafted upon season four, it's Things Fall Apart: former temp Ryan (writer-producer B.J. Novak) is promoted to executive position and then squanders that power, while Dwight (series MPV Rainn Wilson) attempts to recover from his breakup with Angela (Angela Kinsey) and her apparent relationship with the hapless Andy (Ed Helms). Elsewhere, HR's Toby (writer-director Paul Lieberstein) finally flees Dunder Mifflin for that long-threatened vacation to Costa Rica (and is replaced by Oscar nominee Amy Ryan), and Stanley (Leslie David Baker) reaches his own breaking point in "Did I Stutter?" The center of office entropy is, of course, boss Michael Scott (Steve Carell), who is knocked off his pedestal throughout the season; his sweetly naïve television spot is disparaged in "Local Ad," he's passed over for the executive outing in "Survivor Man," and in the season's highlights, he is forced to twice endure humiliation at the hands of his own girlfriend Jan (Melora Hardin), first in the heartbreaking "Deposition," and then immediately after in the Emmy-nominated "Dinner Party," which puts their disintegrating relationship in sharp focus. Even office lovebirds Jim (John Krasinski) and Pam (Jenna Fischer) experience some rocky moments as Jim anguishes over the right time to propose to her. But don't let that laundry list of disasters fool you into thinking that season four is a downer; if anything, many of the episodes are among the funniest the show has produced to date. Most notable among these are the opener "Fun Run" (the Scranton team participates in Michael's charity race for rabies prevention), "Job Fair" (Michael attempts to hawk Dunder Mifflin to high schoolers, while Jim struggles to land a client), and the aforementioned "Dinner Party" and "Goodbye, Toby." Longtime viewers may wince at some of the broader gags in the season, like Michael and Dwight driving into the lake in "Dunder Mifflin Infinity," but the best episodes are so strong--and Carell and his fellow players so dead-on in their performances--that it's hard to make a case against the season for those relatively few low points. Extras in the season-four set are fewer than in previous releases, though that may have to do with the reduced number of episodes. Deleted scenes are offered for every episode, and many are real gems, most notably those in "Dinner Party" and "Goodbye Toby." A smattering of commentaries is also included; Carell and Krasinski are noticeably absent, but Wilson, Fischer and the writing and directing staff more than make up for their absence. And the featurette "Writer's Block," which includes footage of the writers' panel at an Office convention, gives an amusing alternate to the usual behind-the-scenes coverage. Michael's complete ad for Dunder Mifflin, a battery of amusing faux PSAs for rabies, and a gag reel do much to fill out the supplemental features. --Paul Gaita



Stills from Season Four of The Office (Click for larger image)

Product Description:
Follows the lives of the workers at a 1960's New York advertising agency.
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Welcome to a world where Monday has a three drink minimum.  Mad Men exists here and it's a fabulous place to visit, back before Betty Friedan's Feminine Mystique really made much of an impact and before the Surgeon General put warning labels on cigarettes. It was an America on the brink of social explosion and Mad Men, which tells the story of a group of Madison Avenue advertising executives in the early 1960s, captures that surface stillness perfectly, complete with the growing tension barely contained below the surface. 

The show succeeds on every level. HBO famously passed on Mad Men, created by former Sopranos executive producer and writer Matthew Weiner.  AMC picked it up, and thank goodness they did. From the first episode, Season One becomes an essential, utterly addictive television- watching experience. Beautifully filmed and masterfully written, the show manages to present the period honestly but with little nostalgia, and as soon as you get over the constant smoking, drinking and treatment of women as little more than "girls" who get coffee and answer the phone, the complexity of these characters (especially the dashing Jon Hamm as Creative Director Don Draper) will leave you completely captivated. Season One features clandestine office romances, shadowy pasts, a ton of adultery, closeted homosexuality and a lot more drama that seems risqué even for 2008. But again, one of the most impressive things about Mad Men is that everything is executed with absolute class, style and elegance.  And bonus for the DVD viewer: Like The Sopranos, Mad Men has a ton of little moments and hints leading up to character revelations and plot twists that make watching the episodes over and over continually rewarding.   –-Kira Canny

Stills from Mad Men (click for larger image)