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Product Description:
At the edge of the mortal world lies a mystical vortex which leads to the Nine Kingdoms a fantastic land where fairy tales are reinvented... and not with happily-ever-after results! An evil queen (Dianne Wiest) has just doomed Prince Wendell (Daniel Lapaine) to life as a dog. His quest to recapture the throne leads him through a portal to the mythical Tenth Kingdom... Central Park! With the help of ordinary mortals Virginia (Kimberly Williams) and Tony (John Larroquette) they battle evil in a parallel universe of vile trolls goblins and every fairy tale character imaginable. Stunning visual effects and a stellar cast include Scott Cohen Rutger Hauer Camryn Manheim and Ed O'Neill dominates this epic adventure that will enchant audiences of all ages.System Requirements:Starring: Ann-Margret Scott Cohen Rutger Hauer John Larroquette Camryn Manheim and Ed O'Neill Directed By: David Carson and Herbert Wise Running Time: 417 minutes Color Presented in "Standard" formatFormat: DVD MOVIE Genre: CHILDREN/FAMILY Rating: NR UPC: 707729127185 Manufacturer No: 12718
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This epic 10-hour miniseries from the Emmy-winning writer of Gulliver's Travels was a ratings bust on television, but on video and DVD, where it can be enjoyed at one's leisure, it has a better chance to cast its magical spell. Kimberly Williams has never been more enchanting than as Virginia, a waitress who still lives with her janitor father (John Larroquette) and yearns for something exciting to happen to her. Her wish comes true when she and her father are transported from New York City into a dimension that, with apologies to Rod Serling, can only be called the Fairy Tale Zone; nine kingdoms populated by characters from fairy tales of yore. They team up with a dog who's really a prince--Wendell, grandson of Snow White--changed into canine form by the evil Queen (Dianne Wiest), who plots to usurp Wendell's throne. Father, daughter, and his royal dogness are relentlessly pursued through the nine kingdoms by the Troll King (Ed O'Neill) and his three bumbling and horrible children, and the conflicted Wolf (Scott Cohen), who is allied with the Queen but, with the aid of some Oprah-esque self-help books, tames his inner beast and falls in love with Virginia. The 10th Kingdom is a special effects extravaganza. There is indeed, as one character marvels, magic to behold here. But despite the Hallmark brand name and the presence of a grown-up Snow White (Camryn Manheim) and Cinderella (Ann-Margret), bewitched animals, magic mirrors, and trolls, this is not kid's stuff. It can get scary, surprisingly violent, and quite intense; you know, just like real fairy tales. --Donald Liebenson

Description:
Have the "time" of your life with Disney's fun-filled comedy MEET THE ROBINSONS, a thrilling adventure that takes you to a whole new world full of imagination and surprises. It's "a masterpiece," raves John Anderson of "Newsday." Join a brilliant young inventor named Lewis as he sets off on a time-traveling journey to find the family he never knew. In the fantastical world of 2037, hip-hoppin' frogs and dogs that wear glasses are as common as talking dinosaurs. In an amazing twist, Lewis discovers that the fate of the future rests in his hands, but he can't save it alone -- he'll need every bit of help he can get from the wonderfully wacky Robinson family, who help him learn to keep moving forward and never stop believing in himself. Blast off with MEET THE ROBINSONS -- complete with never-before-seen bonus features, including an all-new game, deleted scenes and much more. It's an exciting trip your whole family will enjoy!
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Developing positive self-esteem and persevering in the face of difficulties are fundamental parts of growing up, but when 12-year old orphan Lewis (Daniel Hansen and Jordan Fry) can't seem to get adopted or make his inventions work despite repeated efforts, he begins to seriously doubt himself and his abilities as an inventor. A CGI picture by Disney with great animation and a fresh vision of what the future might look like, Meet The Robinsons follows Lewis from his lonesome days at the orphanage to his crushing failure at the school science fair when his newly invented memory scanner won't work. Then, an odd boy named Wilbur Robinson (Wesley Singerman) shows up to warn Lewis about the mysterious "Bowler Hat Guy" (Stephen J Anderson) lurking around the science fair, an evil man Wilbur claims is from the future. The next thing Lewis knows, he and Wilbur are on route to the future via time machine. Once there, Lewis meets the very quirky, extended Robinson family with whom he feels oddly at home. As the search for the Bowler Hat Man and his constant companion Doris (Ethan Sandler) becomes more and more dangerous, the Robinson family becomes crucial in keeping Lewis safe. In the end, Lewis returns to the present with a whole new inner strength, a sense of his place in the world, the knowledge that his actions directly affect others, and an optimistic determination to "keep moving forward." While comparisons with the Back to the Future films are inevitable, Meet the Robinsons stands apart from its predecessors as its own, thoroughly entertaining family film. (Ages 4 and older)

Included is the seven-minute 1938 short Mickey Mouse's Boat Builder in which Mickey Mouse, Goofy, and Donald Duck order and assemble a do-it-yourself boat kit and launch an impressive ocean liner dubbed the "Queen Minnie." Needless to say, hilarity reigns throughout and following the boat-building process. --Tami Horiuchi

Product Description:
You ll Get Results in Less Time
with the 20-MINUTEMAKEOVER. The Interval Training Workout will fire up your metabolism while you efficiently and effectively tone your whole body. Combine your interval training with the Targeted Toning Segments to customize your workout and focus on sculpting specific problem areas. You ll feel energized, have fun and get amazing results fast!
20-MINUTEINTERVAL TRAINING
Using high-energy cardio bursts alternating with lower-intensity moves, interval training is the key to blasting away calories and burning fat, and you ll keep burning calories long after you ve finished your workout. This is the perfect overall workout to help you get that perfect body in less time.
TARGETED TONING SEGMENTS
It s hard to find time to work out. These four 10-minute routines are the perfect solution. Each intense segment sculpts a specific area of the body arms, abs, thighs, butt and the quick cardio provides extra conditioning. For days when you have more time, do all 4 workouts together for a total body workout.
about yourFITNESSEXPERT
Elise Gulan is an innovative mind/body professional and celebrity trainer with multiple certifications. Along with choreographing this DVD for , she has created several unique fitness programs. Elise is a much sought-after health and fitness expert, who has appeared on numerous TV shows and has been featured in various publications nationwide

Description:
In "Easy Come, Easy Go" Elvis hits the high seas a Lt. (L.G.) Ted Jackson, and underwater demolitions expert who sets out with the skippers' daughter to find gold in a sunken wreck during his final service dive. Entangled in an action-packed adventure of romance and intrigue, the pair must battle adversaries on land and underwater as they attempt to claim the treasures before their plan is foiled. Featuring the songs "Love Machine" and the title tune "Easy Come, Easy Go."
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Not the worst Elvis picture, but not near the top, either. This is the one with Elvis as a Navy frogman, diving for sunken treasure--which means lots of underwater photography (inspired by Thunderball, perhaps?). What's fun about it is seeing Elvis collide with the summer of love: he falls in with a beatnik buddy (Pat Harrington in a goatee) and meets a commune of artsy hippie types; they stage obscure "happenings," and Elvis calls 'em "kooks." It says something, though, when the musical highlight is a number called "Yoga Is as Yoga Does," staged in Elsa Lanchester's groovy yoga class. E.P. looks indifferent to the proceedings, an understandable reaction given the painful quality of the comedy (especially the old sea salt who's never been on water). The red Dodge convertible is sweet, however. --Robert Horton

Product Description:
Bill Buchman, who made the DVD "Art Is an Attitude: The Art of Figure Drawing" in 2007 has just come out with this new DVD entitled "Creative Breakout: The Art of Freedom" where he demonstrates exciting abstract watercolor and mixed media painting and drawing techniques.
This DVD is about spontaneity and the creative process, visual composition, and trusting your inner impulse. It is loaded with ideas, tips, suggestions and demonstrations of direct and exciting ways to work with luscious watercolors, acrylics, soft and hard pastels, oil pastels, Sumi ink, and Art Chunky s.
The sections on how to use the materials and compositional space provide simple guiding concepts and techniques. The idea is to work spontaneously and respond to what s happening on the page while keeping the focus going, that is, keeping the melody .
Bill says, "A big key to the creative process is to relax, to let yourself be free and to have fun. This is where the creativity takes place. It s a free flowing process of heart and mind. An even bigger key to the creative process is to believe in yourself as you work. I hope that my free-form and free-flowing approach will encourage you to work freely and confidently, too. Learning to trust and follow your inner impulses will put jazzy power in your paintings and take you places beyond your expectations. This approach will grow your artistic knowledge and build your confidence, too!"
DVD Topics include: Visual Creativity; Spontaneous Watercolor Techniques; Crayon and Brush Techniques; The Big Gesture; Mixed Media Resist; Splash Techniques; Jazzy Pastels; Oil Pastels; Thinking in Shapes; and more...

Description:
The Penguin Cafe Orchestra Directed by Andrew Harries Under its leader and composer Simon Jeffes, this ensemble has been making its own idiosyncratic brand of music since the mid-1970s, drawing on classical and avant-garde sources, as well as pop, folk and ethnic forms, with instruments ranging from the piano, cello, violin and drums, to the ukelele, electric guitar and penny whistle. A studio recording of performances by the PCO is punctuated with interviews in which they discuss their original and eclectic style. This programme celebrates the music of the Penguin Cafe Orchestra which, in the words of Simon Jeffes caters for an audience "capable of enjoying Wilson Pickett, Beethoven, the Rolling Stones, choral music from West Africa, Bach, Stravinksy, Irish bagpipe music and even Abba on the odd occasion".

Description:
The romantic life of NBA referee Billy Crystal is on the rebound when he falls for airline employee Debra Winger. Crystal also directs this transatlantic comedy slam dunk with top-notch supporting cast of comedy pros, including Joe Mantegna, Cathy Moriarty and William Hickey.
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Billy Crystal plays Mickey, a basketball referee who has to accompany his estranged father's body to France, where the old man requested to be buried with the other members of his D-Day platoon. Unfortunately for Mickey, the airline loses his body. Fortunately for Mickey, this leads him to meet Ellen (Debra Winger), an airline executive who takes personal charge of the case and even joins him at the funeral. A whirlwind Paris romance leads to marriage, but that's when the complications begin... The story of Mickey and Ellen's marriage is recounted by their friends (played by Joe Mantegna, Cynthia Stevenson, Julie Kavner, Richard Masur, John Spencer, and Cathy Moriarty) as they wait for Mickey and Ellen to arrive at a dinner party. And of course these friends have their own stories, which are played out in witty shorthand as they bicker about who's going to tell the next part of the Mickey/Ellen saga. Forget Paris is uneven (unsurprisingly, Winger is stronger in the dramatic sections and Crystal in the comic parts, a schism that takes its toll on their chemistry), but its best parts hold up, even if the whole is shaky. Plus, the movie's theme (that romantic memories aren't what makes a marriage work, you have to live in the present) is explored with conviction and tenderness. --Bret Fetzer

Description:
An exhilarating journey into the mind and spirit of a remarkable man, a legendary teacher, and a masterful storyteller, conducted by TV journalist Bill Moyers in the acclaimed PBS series. Includes The Hero's Adventure, The Message of the Myth, The First Storytellers, Sacrifice and Bliss, Love and the Goddess, Masks of Eternity. 360 minutes.
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Joseph Campbell and the Power of Myth is essential viewing for anyone old enough to appreciate its vital teachings. One of the greatest interviews ever recorded, this six-part, six-hour encounter between teacher- mythologist Campbell and student-journalist Bill Moyers (recorded in the two years preceding Campbell's death in 1988) covers a galaxy of topics related to Campbell's central themes: Mythology is humanity's universal method of seeking the transcendental, and "follow your bliss" is the timeless formula for spiritual satisfaction. Campbell himself is the embodiment of these themes, an erudite scholar and quintessential storyteller, recalling a wide spectrum of myths from throughout history (Japanese, Native American, Egyptian, Mayan, and many more) to illustrate humankind's eternal quest to grasp the mysteries of creation. Historical artifacts and illustrations bring these timeless stories to life.

An astute interviewer, Moyers is an acolyte in perfect harmony with Campbell-as- mentor, wording questions with penetrating perfection as their intellectual dance reaches exhilarating heights of meaning and fascination. Moyers also finds the perfect hook for a global audience, examining Campbell's admiration of George Lucas's Star Wars saga as a popular tapestry of ancient myths, and Lucas himself is interviewed in a DVD bonus segment ("I'm not creating a new myth," he says, "but telling old myths in a new way"). Campbell's seemingly endless well of knowledge reaches a simple conclusion: we need myths to survive like we need oxygen to breathe, as a life force with which to understand our existence--past, present, and future. --Jeff Shannon

Product Description:
The "soc" queens of a high school accidentally kill one of their friends and attempt to cover it up.
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Rose McGowan vamps it up mercilessly as the "Satan in heels," a teenage-bitch queen whose birthday prank gone terminally wrong leaves her best friend dead, choked to death on a jawbreaker the size of a fist. Rebecca Gayheart, with her sparkling eyes and a smile that could melt an iceberg, is the good girl at heart who becomes a social pariah when she drops out of the group, trading her plunging necklines for librarian-lite sweaters and long skirts. Jawbreaker wants nothing less than to be the Heathers of its generation, but only intermittently hits the mark, such as when McGowan turns a mousy nobody into the next big thing, a slutty tease whose craving for attention soon challenges McGowan's supremacy. "She's evil," someone finally realizes, "and she's only in high school!" That's unfortunately the best Darren Stein's film gets. For all its catty talk and surface glamour, it's a flat, broadly directed satire that never lives up to its evocative title. Features an appearance by teen rock punks the Donnas as the prom band. --Sean Axmaker

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Lost: Season One

Along with Desperate Housewives, Lost was one of the two breakout shows in the fall of 2004. Mixing suspense and action with a sci-fi twist, it began with a thrilling pilot episode in which a jetliner traveling from Australia to Los Angeles crashes, leaving 48 survivors on an unidentified island with no sign of civilization or hope of imminent rescue. That may sound like Gilligan's Island meets Survivor, but Lost kept viewers tuning in every Wednesday night--and spending the rest of the week speculating on Web sites--with some irresistible hooks (not to mention the beautiful women). First, there's a huge ensemble cast of no fewer than 14 regular characters, and each episode fills in some of the back story on one of them. There's a doctor; an Iraqi soldier; a has-been rock star; a fugitive from justice; a self-absorbed young woman and her brother; a lottery winner; a father and son; a Korean couple; a pregnant woman; and others. Second, there's a host of unanswered questions: What is the mysterious beast that lurks in the jungle? Why do polar bears and wild boars live there? Why has a woman been transmitting an SOS message in French from somewhere on the island for the last 16 years? Why do impossible wishes seem to come true? Are they really on a physical island, or somewhere else? What is the significance of the recurring set of numbers? And will Kate ever give up her bad-boy fixation and hook up with Jack?

Lost did have some hiccups during the first season. Some plot threads were left dangling for weeks, and the "oh, it didn't really happen" card was played too often. But the strong writing and topnotch cast kept the show a cut above most network TV. The best-known actor at the time of the show's debut was Dominic Monaghan, fresh off his stint as Merry the Hobbit in Peter Jackson's Lord of the Rings films. The rest of the cast is either unknowns or "where I have I seen that face before" supporting players, including Matthew Fox and Evangeline Lilly, who are the closest thing to leads. Other standouts include Naveen Andrews, Terry O'Quinn (who's made a nice career out of conspiracy-themed TV shows), Josh Holloway, Jorge Garcia, Yunjin Kim, Maggie Grace, and Emilie de Ravin, but there's really not a weak link in the cast. Co-created by J.J. Abrams (Alias), Lost left enough unanswered questions after its first season to keep viewers riveted for a second season. --David Horiuchi

Lost: Season Two

What was in the Hatch? The cliffhanger from season one of Lost was answered in its opening sequences, only to launch into more questions as the season progressed. That's right: Just when you say "Ohhhhh," there comes another "What?" Thankfully, the show's producers sprinkle answers like tasty morsels throughout the season, ending with a whopper: What caused Oceanic Air Flight 815 to crash in the first place? As the show digs into more revelations about its inhabitant's pasts, it also devotes a good chunk to new characters (Hey, it's an island; you never know who you're going to run into.) First, there are the "Tailies," passengers from the back end of the plane who crashed on the other side of the island. Among them are the wise, God-fearing ex-drug lord Mr. Eko (standout Adewale Akinnuoye-Agbaje); devoted husband Bernard (Sam Anderson); psychiatrist Libby (Cynthia Watros, whose character has more than one hidden link to the other islanders); and ex-cop Ana Lucia (Michelle Rodriguez), by far the most infuriating character on the show, despite how much the writers tried to incur sympathy with her flashback. Then there are the Others, first introduced when they kidnapped Walt (Malcolm David Kelley) at the end of season one. Brutal and calculating, their agenda only became more complex when one of them (played creepily by Michael Emerson) was held hostage in the hatch and, quite handily, plays mind games on everyone's already frayed nerves. The original cast continues to battle their own skeletons, most notably Locke (Terry O'Quinn), Sun (Yunjin Kim) and Michael (Harold Perrineau), whose obsession with finding Walt takes a dangerous turn. The love triangle between Jack (Matthew Fox), Kate (Evangeline Lilly) and Sawyer (Josh Holloway), which had stalled with Sawyer's departure, heats up again in the second half. Despite the bloating cast size (knocked down by a few by season's end) Lost still does what it does best: explores the psyche of people, about whom "my life is an open book" never applies, and cracks into the social dynamics of strangers thrust into Lord of the Flies-esque situations. Is it all a science experiment? A dream? A supernatural pocket in the universe? Likely, any theory will wind up on shaky ground by the season's conclusion. But hey, that's the fun of it. This show was made for DVD, and you can pause and slow-frame to your heart's content. Just try and keep that.---Ellen Kim

Lost: Season Three

When it aired in 2006-07, Lost's third season was split into two, with a hefty break in between. This did nothing to help the already weirdly disparate direction the show was taking (Kate and Sawyer in zoo cages! Locke eating goop in a mud hut!), but when it finally righted its course halfway through--in particular that whopper of a finale--the drama series had left its irked fan base thrilled once again. This doesn't mean, however, that you should skip through the first half of the season to get there, because quite a few questions find answers: what the Others are up to, the impact of turning that fail-safe key, the identity of the eye-patched man from the hatch's video monitor. One of the series' biggest curiosities from the past--how Locke ended up in that wheelchair in the first place--also gets its satisfying due. (The episode, "The Man from Tallahassee," likely was a big contributor to Terry O'Quinn's surprising--but long-deserved--Emmy win that year.)

Unfortunately, you do have to sit through a lot of aforementioned nuisances to get there. Season 3 kicks off with Jack (Matthew Fox), Kate (Evangeline Lilly), and Sawyer (Josh Holloway) held captive by the Others; Sayid (Naveen Andrews), Sun (Yunjin Kim), and Jin (Daniel Dae Kim) on a mission to rescue them; and Locke, Mr. Eko (Adewale Akinnuoye-Agbaje), and Desmond (Henry Ian Cusick) in the aftermath of the electromagnetic pulse that blew up the hatch. Spinning the storylines away from base camp alone wouldn't have felt so disjointed were it not for the new characters simultaneously being introduced. First there's Juliet, a mysterious member of the Others whose loyalty constantly comes into question as the season goes on. Played delicately by Elizabeth Mitchell (Gia, ER, Frequency), Juliet is in one turn a cold-blooded killer, by another turn a sympathetic friend; possibly both at once, possibly neither at all. (She's also a terrific, albeit unwitting, threat to the Kate-Sawyer-Jack love triangle, which plays out more definitively this season.) On the other hand, there's the now-infamous Nikki and Paulo (Kiele Sanchez and Rodrigo Santoro), a tagalong couple who were cleverly woven into the previous seasons' key moments but came to bear the brunt of fans' ire toward the show (Sawyer humorously echoed the sentiments by remarking, "Who the hell are you?"). By the end of the season, at least two major characters die, another is told he/she will die within months, major new threats are unveiled, and--as mentioned before--the two-part season finale restores your faith in the series.

The extras are as well-stocked as a Dharma Initiative food pantry on this seven-disc set. Commentaries by producer Damon Lindelof, show writers, and numerous cast members reveal a whole lot of juicy trivia; plus, the DVDs even provide a subtitle track for the commentary (rarely seen other than on foreign-language director's commentaries) so you won't miss a thing. "Lost Book Club" goes through the parallels between what characters are reading and the show's storylines (The Wizard of Oz and Stephen King are heavily referenced). "Lost: On Location" gives a lot of insight to some of the biggest episodes, and "Lost in a Day" gives a 24-hour glimpse at the drama's arduous production. If you're a Lost fan who gave up during this season, the bonus features alone might lure you back for the next round. --Ellen A. Kim

Lost: Season Four

Season four of Lost was a fine return to form for the series, which polarized its audience the year before with its focus on The Others and not enough on our original crash victims. That season's finale introduced a new storytelling device--the flash-forward--that's employed to great effect this time around; by showing who actually got off the island (known as the Oceanic Six), the viewer is able to put to bed some longstanding loose ends. As the finale attests, we see that in the future Jack (Matthew Fox) is broken, bearded, and not sober, while Kate (Evangeline Lilly) is estranged from Jack and with another guy (the identity may surprise you). Four others do make it back to their homes, but as the flash-forwards show, it's definitely not the end of their connection to the island. Back in present day, however, the islanders are visited by the denizens of a so-called rescue ship, who have agendas of their own. While Jack works with the newcomers to try to get off the island, Locke (Terry O'Quinn), with a few followers of his own, forms an uneasy alliance with Ben (Michael Emerson) against the suspicious gang. Some episodes featuring the new characters feel like filler, but the evolution of such characters as Sun and Jin (Yunjin Kim and Daniel Dae Kim) is this season's strength; plus, the love story of Desmond (Henry Ian Cusick) and Penny (Sonya Walger) provides some of the show's emotional highlights. As is the custom with Lost, bullets fly and characters die (while others may or may not have). Moreover, the fate of Michael (Harold Perrineau), last seen traitorously sailing off to civilization in season two, as well as the flash-forwards of the Oceanic Six, shows you never quite leave the island once you've left. There's a force that pulls them in, and it's a hook that keeps you watching.

Season four was a shorter 13 episodes instead of the usual 22 due to the 2008 writers' strike; nonetheless, the set comes with two discs of extras. One of the best features is "LOST in 8:15," which is a rapid-fire summation of the series thus far in eight minutes, 15 seconds. Narrated by a hilariously droll female, it includes lines such as "Jack meets Kate. Kate stitches up Jack. They bond." and "They see Jack play football with Mr. Friendly. Mr. Friendly throws like a girl." The featurette "The Right to Bear Arms" takes a fun look at the prop masters responsible for supplying the castaways with guns--and keeping track of who has one and who doesn't (best here is Sawyer's (Josh Holloway) assertion that characters often cock their guns just to look cool). Cast members Lilly, Garcia, Yunjin Kim, and Daniel Dae Kim provide a few of the commentaries, and the set even comes with an amusing safety guide for Oceanic Airlines. (Example: "if you notice black smoke emanating from the plane, please alert the captain. It is either a problem with the engines or a mysterious creature.") Finally, for those who bought the standard-def DVD, take a closer look at the front cover after you've removed the O-sleeve; you'll notice the entire cast has been blacked out save for a few: the Oceanic Six. --Ellen A. Kim

Lost: Season Five

Since Lost made its debut as a cult phenomenon in 2004, certain things seemed inconceivable. In its fourth year, some of those things, like a rescue, came to pass. The season ended with Locke (Terry O'Quinn) attempting to persuade the Oceanic Six to return, but he dies before that can happen--or so it appears--and where Jack (Matthew Fox) used to lead, Ben (Emmy nominee Michael Emerson) now takes the reins and convinces the survivors to fulfill Locke's wish.

As producers Damon Lindelof and Carlton Cuse state in their commentary on the fifth-season premiere, "We're doing time travel this year," and the pile-up of flashbacks and flash-forwards will make even the most dedicated fan dizzy. Ben, Jack, Hurley (Jorge Garcia), Sayid (Naveen Andrews), Sun (Yunjin Kim), and Kate (Evangeline Lilly) arrive to find that Sawyer (Josh Holloway) and Juliet (Elizabeth Mitchell) have been part of the Dharma Initiative for three years. The writers also clarify the roles that Richard (Nestor Carbonell) and Daniel (Jeremy Davies) play in the island's master plan, setting the stage for the prophecies of Daniel's mother, Eloise Hawking (Fionnula Flanagan), to play a bigger part in the sixth and final season.

Dozens of other players flit in and out, some never to return. A few, such as Jin (Daniel Dae Kim), live again in the past. Lost could've wrapped things up in five years, as The Wire did, but the show continues to excite and surprise. As Lindelof and Cuse admit in the commentary, there's a "fine line between confusion and mystery," adding, "it makes more sense if you're drunk." Other extras include deleted scenes, featurettes, a "lost" episode of Mysteries of the Universe, and commentary from writers Edward Kitsis and Adam Horowitz on "He's Our You," a reference to Sayid, who tries to change the future by changing the past. --Kathleen C. Fennessy